I missed this year’s International
Survivors of Suicide Loss Day , which I’ve attended religiously for seven
years on the weekend before Thanksgiving and recommended to many new survivors.
The event brings us together to remember our dead, process our grief, and
reconnect with community at a time when it feels like everyone else is
celebrating. Survivor Day has been a touchstone
for me since losing my son Noah.
This year instead of focusing on my loss, I was pursuing
one of the life-affirming new directions that has grown out of it: I was at a poetry writing workshop
led by a favorite poet, Ellen Bass. When
I first heard about the workshop and realized it conflicted with Survivor Day,
I only hesitated for a moment; then, I chose writing. Poetry and prose have been precious vehicles for my grief since losing Noah, so I knew going to the workshop wasn’t a total
departure from talking and thinking about loss. And reading grief poems, like those in the
excellent anthology, The Art of Losing: Poems of Grief and Healing, has inspired
me to cultivate my own mourner’s voice.
I first discovered Bass through her poem, “The Thing
Is,” which we had read aloud at Noah’s memorial. It’s still one of the
most stark and honest expressions of grief that I know, yet somehow also hopeful:
The Thing Is | by Ellen Bass
to love life, to love it even
when you have no stomach for it
and everything you’ve held dear
crumbles like burnt paper in your hands,
your throat filled with the silt of it.
When grief sits with you, its tropical heat
thickening the air, heavy as water
more fit for gills than lungs;
when grief weights you like your own flesh
only more of it, an obesity of grief,
you think, How can a body withstand this?
Then you hold life like a face
between your palms, a plain face,
no charming smile, no violet eyes,
and you say, yes, I will take you
I will love you, again.
Much of the poetry I’ve written since Noah’s suicide
in 2013 has been in the key of grief. “Poetry is the spontaneous
overflow of powerful feelings,” Wordsworth famously wrote; “it takes its origin
from emotion recollected in tranquility.” Powerful feelings I’ve proclaimed in spades,
though not always from a place of grace. Still, I believe even emotionally raw
poems are worth writing—and maybe some, worth reading.
Two poems that I wrote a
few years ago were recently
published in a literary journal for medical professionals called Please
See Me, which aims to humanize the doctor-patient relationship. The theme of the issue was Pain. “Takeaway” comes
from a dream I had shortly after Noah died that rewrites the script of the day
of his suicide; that poem probably wouldn’t meet Wordsworth’s bar. “Tending the
Shrine” comes from a more reflective place of regret.
A newer poem, just out in Greensboro Review, uses the cento form, altering and arranging lines from other
people’s poems to form a new composition. The lines and structure of my “Grief
Cento” came together effortlessly
from the dozens of grief poems I’ve been collecting—and living--as if channeling
my experience through well-known poets’ voices. One of the lines in my cento is
from Ellen Bass.
For a while now, I’ve cherished the dream of publishing
a chapbook of poems about Noah as both tribute and testament. At the workshop,
I found myself writing about my mother’s death and my fraught relationship with
my father, who also died by suicide. Maybe there’s room in the chapbook for
other expressions of loss. Meanwhile, there’s so much to learn about crafting
poetry and about writing in different tonalities, beyond the key of grief.
*
The blessing of this Thanksgiving was hosting a
young cousin who Noah adored. Four years older than Noah and infinitely cool,
Gabe led him on adventures in surfing, cooking, hiking and travelling. Having
Gabe with us at the table after a few years’ absence made it easy to share childhood stories about Noah, like his awe at Gabe’s daredevil skateboarding and
firecracker setting. I was grateful for the chance to bring Noah’s name and
memory so easily and lovingly to the holiday table.
On their way to our house on this rainy Thanksgiving,
friends saw a huge rainbow that spanned the city of Los Angeles. I wish I could
have seen it. I wish Noah could have seen the beauty and serenity that can
follow in the wake of a terrible storm, like his biblical
namesake did. Since Noah’s death, I’ve decided to take every rainbow—even the
little prism of colored light on the floor of my yoga studio--as a sign of Noah’s
spirit. How he dazzled us with his conversation, talents and passions. How he surfed,
transfixed, in the vastness of sea and sky. How his short life spanned worlds.
To my fellow survivors: Wishing everyone hope,
healing and openings for shared memories in this season of
light.